Written by John Redmond

Edited by Matt Wilson

 

Starred Up, directed by David Mackenzie, is a prison drama that offers refreshingly frank insights on violence, relationships and identity. First-time screenwriter Jonathan Asser drew upon his past experiences as a psychotherapist who treated prisoners with anger-management issues to produce a gripping story about a young man’s chance at redemption.
Jack O’Connell stars as Eric Love, a juvenile offender transferred to an adult prison due to his volatile temper. After a violent outburst, Eric is offered a chance at rehabilitation by social worker Oliver (Rupert Friend) and also meets his father Neville (Ben Mendelsohn), a fellow prisoner. Eric sees himself as a lost cause; his disrespect for authority begins to frustrate both the staff and other prisoners, and it seems he is on a path for self-destruction. Eric is permitted to attend the therapy on the promise of no more “incidents”, and both Neville and Oliver know this may be his last chance to redeem himself.

While prison films often descend into melodrama, the mundane portrayal of life behind bars and complex characterisation brings a rare level of realism and humanity. The opening minutes of the film perfectly encapsulate the internal struggle of Eric – he may appear capable and self-assured, but behind closed doors we see just how vulnerable he truly is. Lacking a role model, Eric is an imitator of masculine clichés, at times mimicking Charles Bronson or Muhammad Ali. Eric gradually begins to learn the importance of inner strength.

Asser has a first-hand knowledge of both violence and therapy, and few films of this genre feel as authentic. He neither condemns nor absolves his characters, and instead asks us to see that they are both victims and perpetrators. Filmed in a defunct prison, the hand-held camera work highlights the claustrophobia and rising tensions within the location, and this combined with the complete lack of score makes it feel as if one is watching a documentary rather than a feature.

O’Connell and Mendelsohn play off each other brilliantly. Mendelsohn exudes a quiet menace, reminiscent of his performance in Animal Kingdom, and O’Connell becomes the embodiment of mindless rage. His physicality speaks volumes, giving a performance that is both nuanced and overpowering. The constant threat of explosive violence hangs over the whole film, with tension being generated masterfully through intense stand-offs and bristling dialogue.

Overall, this is an impressive film. Asser’s screenplay, along with O’Connell’s stunning performance, makes Starred Up highly recommended viewing.